Miscellaneous

Was Cellini a goldsmith?

Was Cellini a goldsmith?

Despite becoming an accomplished player of the recorder and cornetto, Cellini, like many aspiring artists before him, chose to train as a goldsmith. As a teenager he worked in Siena, Bologna and Pisa before gaining admission into the prestigious Florentine goldsmiths’ guild.

Who are the two figures on Cellini salt cellar?

On it there are two recumbent figures: One represents the Earth, with a miniature temple by her side where peppercorns were to be stored; the other represents the sea, with a boat beside him for holding salt.

How do you respond to Benvenuto?

Important: In English, we use the expression you’re welcome as a polite response to thank you. In Italian, the correct response to grazie (thank you) is any of the following: prego, non c’è di che, di nulla, figurati (informal) or si figuri (formal). You would never use the word benvenuto in this sense.

What is the Saliera by Benvenuto Cellini?

Gold is the piece’s dominant theme, urged into place by the hands of Benvenuto Cellini, an Italian goldsmith, sculptor, and all-round creative genius. Few of his works have survived, but the Saliera is one of them. Cellini completed his salt cellar in 1543 as a commission for Francis I, King of France.

How old was Cellini when he became a goldsmith?

The son of a musician and builder of musical instruments, Cellini was pushed towards music, but when he was fifteen, his father reluctantly agreed to apprentice him to a goldsmith, Antonio di Sandro, nicknamed Marcone. At the age of 16, Benvenuto had already attracted attention in Florence by taking part in an affray with youthful companions.

Who is Benvenuto Cellini?

Benvenuto Cellini (/ ˌbɛnvəˈnjuːtoʊ tʃɪˈliːni, tʃɛˈ -/, Italian: [beɱveˈnuːto tʃelˈliːni]; 3 November 1500 – 13 February 1571) was an Italian goldsmith, sculptor, draftsman, and artist who also wrote poetry and a famous autobiography. He was one of the most important artists of Mannerism.

Who was Giuseppe Cellini?

Cellini, while employed at the papal mint at Rome during the papacy of Clement VII and later of Paul III, created the dies of several coins and medals, some of which still survive at this now-defunct mint.